
I bet I woke up half a dozen times last night after falling asleep well after 1:00AM. Ugh. I can't complain too much because each time I awoke, a problem was worked out in the novel.


Sara has a tattoo. I don’t know what the words are or the image is yet. I learned that her favorite color is orange and fall is her favorite season. Or was. Barney is not a dog; he’s a rabbit. I don’t know who gave him to her yet. I might not ever know the answer to that open query. I’m okay with that.
I learned that she’s ditching the lab for tech class to take the bus to this appointment. I know it doesn’t matter what time the bus comes, or if the place is closed, because she already knows the answer.
Her oldest friend has red hair, blue eyes, and doesn’t wear glasses. And he smokes. But, he’s the annoying kind of smoker who can smoke when he’s with smokers and then not smoke for months. He's a wanderer at heart and can’t wait to leave this country.
And finally I learned that she’s getting tired of telling this story. She feels like she’s almost done and wants to wrap up this very long day and go to bed. She also wants to skip school tomorrow, but she can’t.
I learned all of that collaging for three and a half hours this morning. So cool. :)
Photo courtesy of wwarby

I sat down yesterday afternoon to write what I loosely refer to as Chapter 19. I have a 500 word per day goal which has proven to be a stretch but attainable. In fact, generally once I hit 400 words I'm well on my way to 600 before I come up for air again.
The cool part about that experience yesterday was being surprised. Chapter 19, at least in this first draft, is only 227 words. I queued up another new window and started on Chapter 20, and that really surprised me. I can't wait to see what happens toda
y. I keep thinking I should reign this all in. Make it bob and weave with just the right rhythm and intrigue. Throw out enough rope to hook the reader and lull them into My Girl's world ever so quietly without really noticing how attached you're getting to her, so when the hammer falls, you, the reader, are devastated. I should make that all happen in a fairly cohesive way in my first draft.
Snort. Right. I think there are writers who make that work. Writers who actually shape their work to that degree of precision while progressing through their initial draft(s). I started down that road and wound up paralyzed. For me it was a wonderful exercise to sketch out the plot lines, since I have three, and lay the conflict across the top to give a look at my landscape. An aerial shot. But after that, I still have to hike the trail myself. I could extend this metaphor into its own entire post, I'm sure. I guess the point here is that I tend to come from the school of "both". Do we teach our kids to read using "phonics" or "whole language"? Both. And so on. I need the aerial shot, and I need to walk the good walk. When I'm lost and not sure what comes next, I can pull out the schematic and refer to the larger picture.
At the end of the day yesterday, I had drafted Chapters 19 & 20. I packed up my gear to head home and wondered, okay, now what? And then I had an idea. I pulled out my dozens of index cards with elements of the aerial view, laid them out and surveyed the arrangement. Aha! This! My Girl wants to talk about this and that makes total sense. Of course that's next.